YEAR IN REVIEW: My 11 favorite albums of 2018

I don’t think 2018 produced nearly as many great albums as the previous 3 years had, making it an average or somewhat below average year. It felt like there was an endless supply of albums that I felt were fine but didn’t fully capture my attention. That said, there were 11 that stood out to me over the crowd. For a Spotify playlist of highlights from each album, scroll to the end of the article.

Double Negative, Low

It’s rare, but ever once in a while you find an album that for whatever reason hits on everything you’re looking for in music, even if you can’t explain why. Double Negative did that for me, and reminded me a lot of how I felt the first time I listened to Radiohead’s Kid A in high school. The sparse and vast soundscapes Low is able to create are powerful and awe-inspiring. I don’t think any of the individual songs are classics on their own, but as a collection the record really works on a level that’s different than any album in a long time. Double Negative is not an album I would ever call fun or uplifting, but its one I’ve loved listening to and appreciating, and are a cut above the rest of the 2018 pack in my book.  

Cocoa Sugar, Young Fathers

Young Fathers is a group that really can’t be defined by a standard genre—they loosely make songs that mix hip-hop and R&B over alternative and electronic beats—so it’s hard to describe their appeal to someone who’s never listened to them. I hate using the words “unique” or “experimental” when talking about music, but there really isn’t much out there like them. On Cocoa Sugar pianos, organs, MIDI horns, and vocal harmonies and rounds create the melodies, while drum machines and samples drive the music. Frantic songs like “Wow,” “Wire,” and “Toy” are panicked-sounding dance tracks with fantastic beats and telling lyrics.  “In My View” and “Lord” are tortured-sounding gospel songs, with grand instrumentals and subdued, reflective vocals.  Cocoa Sugar also made me appreciate how creative the trio has been since day one. I love when an album forces me to go back and listen to an artist’s older works I hadn’t really given much of a chance. Ever since hearing “LOW” on Minnesota Public Radio back in 2014 I’ve liked most of the Young Fathers songs I had heard but never bothered with their albums. That was a mistake I rectified in 2018.

7, Beach House

Continue reading “YEAR IN REVIEW: My 11 favorite albums of 2018”

DiCaprio 2 – JID ★★★★

YearAlbumArtistStarsScoreGenre
2018DiCaprio 2JID★★★★84Hip-Hop

It may sound a little premature after just two albums, but if you were to ask me which one rapper active right now has a chance to match or exceed Kendrick Lamar’s prowess over the next five years, I’d say it’s JID. 

While there isn’t one thing sound-wise that really stands out that makes DiCaprio 2 special, it showcases one of the finest young MCs out there today. JID mixes a Kendrick-styled flow with Lil Wayne-esque swagger and a storytelling ability well beyond his years, layered on top of pretty immaculate production. 

The album is super solid and tight, with every track bringing something to the table. “151 Rum,” “Westbrook” and “Hasta Luego” go hard.  “Slick Talk” is smooth and laid back. “Off Deez” puts JID right up against J Cole, one of the best in the game, while he holds his own alongside Method Man and Joey Bada$$ on the gritty, old school “Hot Box.” The upbeat and soulful “Skrawberries” is my favorite track on the album. 

With DJ Drama as an executive producer throughout, DiCaprio 2 does come across a bit like a really refined, but kind of basic, in-your-face mixtape, instead of a record with an overarching vibe or theme. A minor criticism in the grand scheme of things and for what’s probably one of the 15 or 20 most enjoyable hip-hop records of the 2010s. 

Torches – Foster the People ★★★½

YearAlbumArtistStarsScoreGenre
2011TorchesFoster the People★★★½75PopIndie PopIndietronica

Like Foster The People’s lead single “Pumped Up Kicks,” their debut Torches was a refreshing and fun take on commercialized indie music and the indie pop scene quickly grew in the early 2010s.

The album’s singles — the aforementioned “Pumped Up Kicks,” “Don’t Stop” and “Houdini” — all had their much deserved time on the airwaves and as background music for commercials in the early 2010s, while “Helena Beats” kicks off the album in a great way, mixing the band’s indie, pop and electronic roots. Even tender moments like “I Would Do Anything For You” are inviting and accessible in a way that shined compared to the works of their contemporaries at the time. 

The band has evolved their sounds and reverted back to a more pop-focused structure a few times since 2011, Torches will always represent the warm memories of an era of music long gone. 

List: All the concerts I’ve ever been to

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By Nicholas Cicale

I love going to concerts, and this article lists every concert I’ve ever been to!

2019

11/15/19: Flying Lotus with Brandon Coleman Spacetalker, Salami Rose Joe Louis, and PBDY at Emo’s Austin

10/21/19: Vampire Weekend with Christone “Kingfish” Ingram at ACL Live Austin

9/19/10: Built To Spill with ORUÃ, XETAS at Mohawk Austin

9/6/19: Goo Goo Dolls at Coral Sky Amphitheatre West Palm Beach

5/19/19: Idles with Fontaines DC at Barracuda Austin

4/23/19: Jon Hopkins with ORTHY at the Scoot Inn Austin

3/29/19: Taking Back Sunday with Frank Lero and the Patience at Emos Austin

3/15/2019: SXSW Day Party-Japanese Breakfast with Cherry Glazerr, Nothing, The Nude Party

3/15/2019: SXSW Alex Di Leo at Tiniest Bar in Texas

2/23/2019: Car Seat Headrest (4) with Naked Giants at The Otpheum, Tampa

2/8/2019: Vince Staples with Buddy and PNTHN at Emo’s Austin

Continue reading “List: All the concerts I’ve ever been to”

The People of Lady Bird Lake

Written by Melissa Hall

It’s not the hardcore bikers you need to worry about when you decide to take a stroll around Lady Bird Lake, one of the nicest places in Austin to take your dog, or go for a jog, or walk around with your friend, mocha lattes in hand, claiming that you’re “getting some exercise” but really exerting as little energy as possible. It’s a place for people of all ages and all sizes–for those who are serious about running, or those who are looking to get that 90 minutes of cardio we’re all supposed to get every week, or those who are outside to escape the subzero air-conditioned buildings that populate Austin.

Everyone knows that “lake” is a misnomer, since it’s really a “river-like reservoir” created by a couple of dams on the Colorado River, but that doesn’t take away from its beauty. Miles of great walking/jogging/riding right along the water. You can go every day to the lake and experience a different section of the trail. Trees align part of the path while other parts lead you up to a boardwalk where you can see lines of turtles lounging on fallen trees jutting out of the water. Ducks float atop the surface while cranes try to catch fish. People boat and canoe and kayak and paddle board and take ridiculous swan pedal boats out onto the lake. It’s easy to get lost in the tranquility of the trail and the lake. Located in the middle of downtown Austin, Lady Bird Lake is beautiful during sunset, a great time to watch the pinks and oranges of the sky as you walk along the pedestrian bridge into the heart of the city.

The lake is nice. And always busy. And always full of moms with strollers.

Those hardcore bikers though, wearing all that Spandex, probably all the Spandex that’s ever been created in this world, with its highlighter-colored accents down the chest and thighs. The serious runners sometimes wear this same uniform, but only when it’s cold outside. Every other time it’s a pair of loose shorts that covers as little groin area as allowable in public.

The hardcore bikers speed down the gravel and dirt path with ease, nimble enough to slide between a slow jogger and a couple with a wily puppy. Or the latte-holding hooligans. They yell “LEFT!” but never stop or slow down to watch the panic they induce. Do they want me to go left? Or are they coming from the left? They are unaware that yelling “LEFT” induces a brief moment of panic in most of the walkers. There’s not enough time to process what you’re supposed to do so you usually head left, and they race around on the right, without looking back.

The dog walkers pull their dogs close to them after this near hit, pat their fluffy heads or rub their sides, glare at the now half-a-mile-away biker. Why don’t they ride somewhere there aren’t any dogs? The dog walkers don’t realize, or fail to acknowledge, that dogs are everywhere in Austin—parks, stores, administrative buildings. In the rest of the country their dogs wouldn’t even be allowed to sit on patios at restaurants.

However, it’s not the hardcore bikers you have to worry about but the moms running with strollers. Yes, these ladies (and sometimes gentlemen, but mostly ladies) are the most dangerous people around Lady Bird Lake.

Not all of the moms are scary–there are the moms who push the single-kid strollers at a walking pace, maybe even a slight jog. They wear a pair of yoga pants or some leggings, something comfortable. They try to move out of the way when people pass, like the serious joggers with their tiny shorts and their bare-chested bodies. Their legs are so thin and there’s so little fat on their bodies that you wonder if they’ve even had a latte before. Do they eat real food or just load up on protein bars and Vitamin Water? They run through these moms with their single-kid strollers with no issue, though the moms are always trying to get out of the way, as if apologizing for bothering those around them with their presence and of their large, barely moveable stroller.

They don’t hog the path like the two-mom duets do. These moms, always in pairs, pushing their respective kid, yell-talk to the other person. There is no personal conversation between the two because if you’re anywhere around them–slightly behind, just in front, a mile in front–you’re hearing this conversation. Sometimes they laugh loudly, too loudly, cackle even. They’re trying too hard, maybe to be funny, maybe to seem like they’re having a fantastic time when really who wants to push a giant stroller in 80% humidity? They walk side-by-side with no regard for anyone around them, the behemoth strollers, with their easy-to-fold-extra-large-tires-for-rough-terrain bodies taking up well over half of the path in many areas. They’re either oblivious to the growing crowd of people behind them wanting to pass or they simply don’t give a shit. The hardcore bikers gather around them, standing on their pedals, looking left and right to see which side has the fewest obstacles, the fewest living creatures that can be killed. They don’t have the advantage the serious runners have–they squeeze through the tiniest of spaces, looking less and less like real human beings. When it’s clear that the two-mom duet will need to shift to the right or do a single stack of strollers, they make faces, huff and puff as they struggle to move the extra-cargo-space mammoths, and then grimace as you pass by. We’re moms and we’re getting exercise and this stroller is really heavy and have you ever birthed a child?

The latte-holding duos ignore the look because they’re too busy pretending to enjoy being outside when really one of them wanted to stay in the air conditioning but thought the “exercise” might be a better idea. Burn off those latte calories as we drink them, but in actuality they’re not moving fast enough or exerting enough energy to burn more than a few calories and definitely not enough to burn the calories from that mocha latte.

The slow joggers are especially cognizant of the two-mom duet disapproval. Your slow joggers are just that–slow. They’re maybe wearing some of that Spandex exercising clothing, or maybe they’re wearing an old t-shirt from a work convention they’ve found in their closet. Armpits soaking, back splotched haphazardly, they push away the hair that keeps falling into their faces and jog on. They’re a little self-conscious, either because of how sweaty they are or because of their slow jog (everyone thinks I’m so slow or look how many people need to pass me or wish I could run like those people in the small shorts ) or because of their size. They look especially hurt by the looks of the two-mom duet and will sometimes slow down to try to pass them, say “excuse me,” or some other appropriate behavior. They look longingly at the hardcore bikers, with their clearly defined calves, calves that are made for exercising.

But double-kid stroller moms? These are the moms you need to watch out for. There will be no apologies uttered by them.

The double-kid stroller mom is clad in Spandex similar to your hardcore bikers and serious runners. She’s in great shape too–smooth upper torso, sinewy legs. Her arms have got some power too because she’s probably into Crossfit or yoga for strength or some other fitness trend that most of us hear about but aren’t too motivated to try because damn it, it just seems way too hard.

These moms are impressive because 1) it doesn’t look like they birthed the children they’re pushing and 2) they’re running with an extra 30 pounds. Her stroller, unlike your two-mom duet, seems to move with ease, as she guides it with just the tips of her fingers–she doesn’t grip the handle with white knuckles like you sometimes hold your latte as the hardcore bikers zoom by or when you try to get away from the wet dog that’s about to shake. She’s got this, and the way she moves tells us that. Her strides are balanced and lengthy, and she breathes with ease, pushing a baby with bow ties in her hair and a toddler with a tablet in his hands. Sometimes she’s even got a dog in tow, a labradoodle or goldendoodle or some other AKC champion breed that seems to run in time with her. The other dog walkers watch in awe wondering how they can get their dogs to run alongside them and not chase after the millions of squirrels that reside in Austin. How does she push the kids AND deal with the dog?

She sweats, but somehow it doesn’t look as wet and sticky as the rest of the Lady Bird Lake participants, definitely not as bad as the slow joggers. Even the latte-holders sweat at all times of the year–Austin isn’t “that humid” but still hot as hell, and the make-up you so thoroughly applied is sliding off your face like second skin. Her make-up looks perfect. Or maybe she’s not wearing anything and she’s somehow naturally gorgeous and thin and athletic. Maybe she doesn’t sweat because of the Spandex. Maybe we should all wear Spandex.

And yet while you admire what she’s doing, she’s unforgiving. The stroller she’s pushing is extra weight that she will use to run you the fuck down. The hardcore bikers will indicate when they’re coming, with their harsh “LEFT” or sometimes a bell. They maneuver (usually) effortlessly around the hordes of people trying to enjoy the once-in-the-year 75 degree weather. The slow joggers will slow or stop. The dog walkers will call their dogs and pull them in. Two-kid stroller moms have no warning sign and the only way to know they’re coming is to listen for them. Their measured breathing, the creaking of the wheels on the gravel. And when you hear them you better get out of the way because she “can’t” stop and she isn’t going to. She’s fit and beautiful and you know what? you don’t even have to work that hard to have a body like hers after giving birth, you just need to begin exercising and lifting weights a couple of years before you get pregnant and then continue to eat right and drink protein shakes and take walks at least twice a day during the pregnancy. It’s really not that hard at all.

You watch as she rolls on by the latte-holders, the dog walkers, the slow joggers. You envy the ease with which she not only exercises but how she runs her life as well. You know her cabinets are all labeled and that canned goods are stacked neatly to the left side of the pantry. You know she only feeds her kids organic fruits and they probably only watch PBS or “educational” programs. She wears heels and pencil skirts and at the end of the day her feet don’t hurt the way yours would. She probably doesn’t even put her make-up on, rather little creatures come in through her window in the morning and apply it for her as they sing cartoon songs.

And then the baby starts screaming and she has to stop to take care of him, and the other kid wants a snack, but no, he doesn’t want the apple slices she diligently cut for him this morning. He wants to go home because he’s hot, and the baby won’t stop crying. It’s not a diaper change and he doesn’t seem to be hungry but he won’t stop crying. He just won’t stop. You sip your latte and smirk. You’re exercising too, you know.

YEAR IN REVIEW: My 20 favorite albums of 2017

1. American Dream – LCD Soundsystem

From the first time I heard it (when it was released Sept. 1) to the last time (about 10 minutes before writing this), American Dream was my favorite album of the year. It’s rare I like something that much on first listen without getting sick of it, and coming from LCD Soundsystem, who’s albums and songs typically go on for a bit too long, this is easily their most concise and accessible. From the opener “oh baby”, a classic LCD Soundsystem slow-build track, through “tonight,” a classic dance-punk anthem, and the pulp-inspired single ‘call the police,” to the 12 minute electronic ballad that closes the album out, there isn’t a sour moment.

2. A Deeper Understanding – The War On Drugs

Continue reading “YEAR IN REVIEW: My 20 favorite albums of 2017”

YEAR IN REVIEW: My favorite songs of 2017

Here are my favorite songs that came out in 2017, separated into Alternative, Hip-hop, and Pop lists. Full playlists can be found on Spotify and are updated frequently. As always, thanks for listening!

Alternative/rock songs

  1. Cool Your Heart – Dirty Projectors
  2. call the police – LCD Soundsystem
  3. Star Roving – Slowdive
  4. Nothing To Find – The War On Drugs
  5. Something To Remember Me By – The Horrors
  6. Guilty Party – The National
  7. ameriacn dream – LCD Soundsystem
  8. Up All Night – The War On Drugs
  9. Funeral Pyre – Julien Baker
  10. Hologram – The Horrors
  11. The Body Is a Blade – Japanese Breakfast
  12. In Undertow – Alvvays
  13. emotional haircut – LCD Soundsystem
  14. The System Only Dreams in Total Darkness – The National
  15. 12 Steps – Japanese Breakfast
  16. Gwan – Rostam
  17. S.H.C. – Foster The People
  18. Up In Hudson – Dirty Projectors
  19. Song – Sylvan Esso
  20. Hot Thoughts – Spoon
  21. No Longer Making Time – Slowdive
  22. Beach Life-In-Death – Car Seat Headrest
  23. Machine – The Horrors
  24. Don’t Delete The Kisses – Wold Alice
  25. Darling – Real Estate
  26. Slip Away – Perfume Genius
  27. Thinking Of A Place – The War On Drugs
  28. Paradise – ANOHNI
  29. Diving Woman – Japanese Breakfast
  30. Villains of Circumstance – Queens of the Stone Age
  31. Never Been Wrong – Waxahatchee
  32. Lights of Home (St. Peter’s String Version) – U2
  33. I’m So Free – Beck
  34. Sometime/Someplace – Cornelius
  35. The Way You Used To Do – Queens of the Stone Age
  36. Up All Night – Beck
  37. Mourning Sound – Grizzly Bear
  38. Simple Season – Hippo Campus
  39. Friend Zone – Thundercat
  40. Pain – The War On Drugs
  41. Plimsoll Punks – Alvvays
  42. My Old Man – Mac DeMarco
  43. Road Head – Japanese Breakfast
  44. Espiritu Olimpico – Los Planetas
  45. Silver – Waxahatchee
  46. Little Bubbles – Dirty Projectors
  47. Tonya Harding (In D major) – Sufjan Stevens
  48. How to Boil an Egg – Courtney Barnett
  49. Feet Don’t Fail Me Now – Queens of the Stone Age
  50. Everything Now – Arcade Fire
  51. Dangerous – The XX
  52. The Little Things That Give You away – U2
  53. Wall Of Glass – Liam Gallagher
  54. The End Daughter
  55. Something For Your M.I.N.D. – Superorganism
  56. Explore – Sundara Karma
  57. Bike Dream – Rostam
  58. Still Beating – Mac DeMarco
  59. Evermore – Grandaddy
  60. The Economics of Emotion Labor – Wild Year

Hip-hop/R&B songs

Continue reading “YEAR IN REVIEW: My favorite songs of 2017”

Songs of Experience – U2 ★★

YearAlbumArtistStarsScoreGenre
2017Songs of ExperienceU2★★48RockPop Rock

As a diehard U2 fan, I am always going to listen to any album the band releases, and I’m always going to be able to find a handful of songs that I really like and appreciate on each of their records, and ultimately I’m probably going to overrate them a little bit, no matter how old the band is or how washed they may sound. Songs of Experience is no exception. 

It’s easy to point out the weaker songs on the record, and most are on the first half of the album. “You’re the Best Thing About Me” and “Get Out of Your Own Way” are pretty lazy singles that use the anthemic sound effects that post 2000s U2 tracks like “Beautiful Day” have often utilized, but feel like cheap, adult-contemporary knockoffs that have been made just for the hope of radio play. “American Soul,” which is a reprise of U2’s feature on Kendrick Lamar’s “XXX,” is one of the band’s least effective “hard rock” tracks, and is the band’s fourth attempt to use this lame, heavy handed, repetitive riff they used on “Stingray Guitar,” as well as “Volcano” and “Lucifer’s Hand” on the record prior (Why you would recycle material from the worst song on the band’s worst record, I’m not sure). “The Showman” and “Landlady” are both pretty cringy lyrically, although the latter does have an alright feel to it and some more captivating pop rock sound effects. 

“Summer of Love” and “Red Flag Day” are both fine rock tracks, although The Edge throughout this record (and the prior) isn’t really doing anything we haven’t heard him do 100 times before. At some point over the past decade, he seems to have lost the ability to come up with a guitar solo that wasn’t the exact same, short phrase repeated four times in a row, which limits a lot of the potential of some of the songs’ builds.  

I do really appreciate the softer moments on this album though, which oftentimes offer a modern take on the classic U2 formula of atmospheric, spacy keyboards and intimate vocals, like they would have done on “For The First Time” or “Running To Stand Still.” The opening and closing tracks on the record do this well and give you these more emotional performances to bookend the record. “The Little Things That Give You Away” starts in a similar fashion, but as the song grows and you add in the bass and guitar and drums it ends up exploding into a “City of Blinding Lights” style anthem (in a good way), with Bono and The Edge having their more showy moments like the big songs of the old days.  

My favorite track on the record is actually “Love Is Bigger Than Anything in Its Way.” I know, it’s got some corny, basic lyrics and Bono uses some auto tuned vocals that feel like the band is trying too hard to sound hip and young, but I can’t help singing the verses. I think there’s a lot of warmth and joy in the song that I appreciate. Even with the production of the track lining up pretty well with the rest of the record, the pacing of the song with these slow, pulsing piano notes and vibrant synths feel different, closer to an “Origin of the Species” or “Yahweh” kind of song from How To Dismantle an Atomic Bomb

I also like some of the connective elements and themes on this record that go back to their previous record Songs of Innocence — the wave and tidal themes on “Every Breaking Wave” and “Red Flag Day,” the reprise of the “Free yourself to be yourself” lyrics from “Iris” on “Lights of Home,” and the conclusion of “Song for Someone” on “13.” With both records’ titles playing off each other, it’s no surprise that they’re meant to be paired with one another and would look at similar themes from different points of view. But it is odd that it took over three years for part two to be released, and the differences in production are pretty dramatic, even if thematically the lyrics and some of the melodies return. It makes me wonder if combining the two projects formally in one session to create one 13-15 song record with the best parts of each would have actually produced something that was actually meaningful and enjoyable from start to finish.

Reading this review though, it’s probably pretty easy to see the record’s main problem — there isn’t much here that sounds new or groundbreaking. A lot of the songs feel more like they’re trying to recreate some of the bigger moments of their past, instead of paving a new way forward. After the band flopped trying something new on Songs of Innocence — bringing in Danger Mouse to produce an album that felt flat and sometimes more synthetic than live — I guess it shouldn’t be a surprise that they’d move back towards the safety of the familiar. But for a band that was so innovative and willing to try new things for the first 30 years of their run, it’s disappointing to listen to retreads, even if they do hit you with a sense of nostalgia when done right. 

I actually think the two main bonus tracks on the record show a little bit of what the band could have accomplished here. “Lights of Home” (St. Peter’s String Version)” — an alternative mix of the album’s second track — is far superior than the album cut, which sounds like Beck’s “Loser” riff slowed down over lazy drums. The artful, frantic strings and well placed piano chords give the song so much more life, and blend well with the backing vocals and guitar parts that are left out to dry on the original version. “Book of Your Heart” has a dark, repeated keyboard loop and some more intense drumming that stands out on the album creatively and emotionally. It shows that the band might still have something left in the tank that could have elevated them above your average, end of the road novelty act. 

2017-18 MLB Offseason Rundown: A look at all of baseball’s free agent signings and trades since the World Series

With the conclusion of the Winter Meetings Dec. 15, here’s a rundown of all the notable free agent signings in the MLB offseason so far. I’m going to try to update this list once a week as the offseason goes on, and will be adding in notable trades at as well.

At the moment, most of the players who have signed have been relief pitchers, which doesn’t make for the most fun transaction log but could really alter a team’s outlook and can point to future moves to come.

Carlos Santana -3 years, $60 million to the Phillies

Santana has been one of the most reliable batters in the business since his first full season in 2011. He might not be as exciting a player to watch or as young as Eric Hosmer, but I’m a sucker for guys who can draw walks and would prefer Santana right now if choosing a first baseman or DH for the next few seasons.

He’s an asset that any team would be lucky to have, except the fit here with the Phillies doesn’t seem exactly logical for the club. Rhys Hoskins, the team’s most exciting player last season, already mans first base, and without a DH in the NL, it looks like he’ll have to learn the outfield or be dealt, neither of which should make fans too happy.

Zack Cozart – 3 years, $38 million to the Angels
Continue reading “2017-18 MLB Offseason Rundown: A look at all of baseball’s free agent signings and trades since the World Series”